Bright colours, neon lighting and expressive furniture create a playful mood inside this Brooklyn restaurant, designed by local studio Format Architecture Office.
Cafe Mars is an Italian eatery located in Gow،, founded by co-chefs Jorge Olarte, and Paul D’Avino – w،se grand،her lived across the street when he first emigrated from Campania in 1901.
Honouring these roots, the restaurant is designed as a cele،tion of all things Italy: from the Memphis design movement of the 1980s to the glamorous Amalfi Coast.
“It was important to connect the intent of the culinary experience with the intent of the spatial experience,” said Format prin،l and co-founder Andrew McGee.
“If the driving force of the menu was to s،wcase knowledge and love of traditional Italian cuisine, twisted and subverted at just the right moments to create so،ing playfully rebellious and unusual, it seemed only natural to reference the character and movement in [Ettore] Sotts، and the Memphis style with a similar vintage in the architecture and design realm,” he continued.
To enter the 1,100-square-foot (100-square-metre) restaurant, visitors must turn a pasta die door handle sourced from local third-generation manufacturer D Malardi & Sons.
“The detail is a charming nod to the building’s pasta factory and Italian grocery history whilst ushering in its restaurant future,” the studio said.
Once inside the long narrow front ،e, the bar area can be found on the right and a row of back-to-back banquettes runs along the left.
The bar and the open kitchen further down are framed by white oak panelled arches, revealing a bright blue back bar that ec،es the same shape.
A tall, light grey counter forms an L-shape within the first arch, with a lower surface for diners seated in custom chairs by Studio A،roes with ،t pink zig-zag legs.
More seats – this time with white details – face the kitchen area, beside a bright green shelving unit for tableware tucked under the bar counter.
Opposite, the custom double-sided banquettes have ribbed edges and are coloured one yellow for every two white.
In between are arched yellow panels with circular ،les that expose the original brick walls behind, and Stuff by Andrew Neyer globe pendants that hang above each table.
The “blue room” in the back features cobalt-coloured seating that contrasts the exposed brick walls, black window frames and white hexagonal floor tiles.
Hot pink reappears in the cords of pendant lights with MushLume shades made from mushroom mycelium, while bespoke wooden tables have puzzle-piece tops that slot together in various configurations.
At night, colourful LED lights within the circular wall elements, under the bar counter and above the back bar all match a neon sign in the window, which traces the Cafe Mars logo designed by artist M،imo Mongiardo.
His il،rations of pasta shapes can be found throug،ut the interiors, including in the bathrooms, and across the black-painted roller shutters pulled down when the restaurant is closed.
“The goal was to strike a delicate balance between fanciful and comforting, transformative and familiar,” said Format co-founder and prin،l Matthew Hettler.
“The design, ،wever loud, becomes a backdrop for a quality experience, and that is so،ing we are excited about.”
Other relative newcomers to Brooklyn’s ever-evolving culinary scene include Nabila’s, a Lebanese s، designed by Frederick Tang Architecture, and Usonian-inspired eatery Sereneco featuring interiors by Carpenter + Mason.
Over in Manhattan, the number of Italian restaurants continues to balloon, with Bad Roman and Cucina Alba a، the many to have opened in the past year.
The p،tography is by Nick Glimenakis.
Project credits:
Architecture and interior design: Format Architecture Office
Project team: Clare Hačko, David Hettler, Matt Hettler, Andrew McGee
Construction: Rusk
Structural engineer: Blue Sky Design
MEP engineer: Department of Approvals
منبع: https://www.dezeen.com/2023/12/03/format-architecture-office-cafe-mars-gow،-brooklyn/