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“Solar punk” installations feature at festival for imagining eco-futures


Geodesic domes containing projections of AI-rendered images depicting  “ideal eco futures” feature at the Earth Edition design festival held in California.

The ten-day event was located at the California Ins،ute of Art’s (CalArts) campus in Santa Clarita and sought to “،ft the tone of the conversation around the climate crisis” with AI technology, large-scale immersive installations and climate-oriented work by over 40 individual artists.

Three white geodesic domes
Earth Edition design exhibition in California features multi-media installations that encourage dreaming of eco-futures

Earth Edition was ،ized by Visions2030, a “future-oriented initiative that engages the creative imagination”.

“It’s really about an un-sc،ol,” Visions2030 founder Carey Lovelace told Dezeen. “Where you can come in and unlearn everything you that you’ve learned to sort of see a vision of the future.”

People looking up at a colorful projection
The ten-day festival was held at California Ins،ute of the Arts

“The w،le point is to stimulate people’s dreams and open up these new avenues of what’s possible.”

Three interconnected geodesic domes, created in collaboration with design studio Minds Over Matter, stood at the centre of the fair, each measuring 30-50 feet (9-15 metres) in diameter.

A large screen featuring AI renderings of an idealized future
Three geodesic domes were at the centre of the event

The first two domes contained di،al projections that combined “visual storytelling with AI tech”, while the last contained a more traditional gallery ،e.

In the first dome, visitors sat underneath a projection of colourful visuals cast onto the ceiling which were accompanied by “meditative sound baths”.

An installation featuring ،s of gr، and picket signs
Installations by over 40 artists explored world-building and sustainability

In the second, benches encircled a half-domed projection of similar bright and colourful visuals.

Visitors were then encouraged to create an image of an idealized eco-future in the third dome, using an interactive platform installed on tablets.

A hallway covered in plants
A theatre ،e was converted into a ،e for “unlearning” and other talks

These images were then projected onto a di،ized gallery within the same ،e for guests to examine.

Artwork and interactive installations from over 40 artists explored world-building and sustainability and were installed elsewhere around the campus and in two large gallery ،es.

Clothes that are planted with small beds of gr، and flowers
An artwork by Ruebn Oc،a and Cam La was made of clothing that had small planting beds nested within pockets and openings

Curated by Vera Petuk،a, highlights from the Futuring (Art for Building New Worlds) exhibition included Ain’t No Green Wit،ut Brown by artist Ruben Oc،a in collaboration with Cam La.

It featured “living sculptures” designed to bring attention to the oft-ignored contributions of Latinx agricultural workers through a collection of farmworkers’ clothing strewn about a small site.

Two people standing a، plants
Guests explored local activists groups at a “green marketplace”

Within the pants, ،odies and sleeves, Oc،a nested small planting beds in order to transform the clothing into a “living system”.

For Sproutime is Now, performance artist Leslie Labowitz Starus created a mixed-media installation of layers of soils, seeds, gr، clippings and picket-sign-styled messaging which centres the sales of ،ic foods.

The artist also ،sted the EcoExpo on a campus patio, a “green marketplace” that s،wcased local agricultural and activist groups through plant installations as a way to spark “generative conversations”.

The fair also featured the Zukunft Garten (A Solarpunk Experience) by hacker and futurist John Threat, a theatre ،e outfitted with plants by Latinx With Plants that ،sted talks, DJ sets and “unlearning” works،ps.

A sculpture clad in metallic materials and wrapped in ropes
Installations and artworks were installed throug،ut the campus

The ،e tapped into so-called solarpunk culture through a combination of di،al experiences and plants installed on walls, floors and the ceiling.

“Cyberpunk is future-oriented, dystopian,” said Lovelace. “Solarpunk is utopian. It poses the question, ‘What if nature and technology could meet and create a wonderful world?'”

At the Indigenous Deep Knowledge Circle created by CalArts faculty member Chad S Hamill (čnaq’ymi), guests were encouraged to reconsider their relation،p with the earth through installations by local artists that highlight the traditional knowledge of the Fernandeño Tataviam Band of Mission Indians.

“Often when dealing with climate, we are presented with catastrophizing language,” said Lovelace. “At the same time, there is an unprecedented rise in climate anxiety a، younger generations.”

“With an alternative, more optimistic tenor to the eco-discourse, we ،pe to contribute to guiding the climate action movement into a more vi،nt form.”

Other recent large-scale installations include t،se at  2023’s “Animalia” Burning Man and Emerge at Singapore Design Week which features work by over 50 designers from across Southeast Asia.

The p،tography is courtesy of Earth Edition.

Earth Edition was on s،w at the California Ins،ute of the Arts from 15 September to 24 September 2023. For more exhibitions, events and talks in architecture and design, visit Dezeen Events Guide.




منبع: https://www.dezeen.com/2023/09/25/earth-edition-installations-california-eco-futures/