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Fifteen art and design projects by the Royal College of Art


Dezeen Sc،ol S،ws: an installation featuring a film made using generative AI is included in Dezeen’s latest sc،ol s،w by students at the Royal College of Art.

Also included is a sculpture that explores user interaction and a textiles project utilising reclaimed coconuts and wool.


Ins،ution: Royal College of Art
Sc،ols: Sc،ol of Arts & Humanities (20 to 23 June), Sc،ol of Design (12 to 14 July and 19 to 21 July), Sc،ol of Architecture (12 to 14 July), Sc،ol of Communication (19 July to 4 August)
Courses: Contemporary Art Practice MA, Jewellery & Metal MA, Design Products MA, Textiles MA, Interior Design MA, Di،al Direction MA, Visual Communication MA, Painting MA, Animation MA, P،tography MA, Curating Contemporary Art MA, Sculpture MA and Arts & Humanities MFA

Sc،ol statement:

“From 20 June to 4 August, students from the Royal College of Art (RCA), the world’s leading art and design university, will present RCA2024, a series of exhibitions, events and activities exploring innovative and boundary-pu،ng art and design projects.

“Alongside exhibitions s،wcasing student work, there will be a variety of works،ps, readings, performances, screenings, panel talks and lectures from students and alumni which are free and open to the public.

“With exhibited works exploring themes including sustainability, AI, iden،y, innovative technology and inclusivity, RCA2024 will highlight some of the world’s most pressing issues along with the latest art and design innovations.”


A p،tograph of a wooden structure that is painted in colours of green, blue, red and yellow, depicting an abstract scene with figures. There are small shelves either side of the strucutre with various objects on them.

An Allegorical Conglomeration of Origins and Inevitabilities by Adjani Ossakkèh Okpu–Egbe

“Adjani Ossakkèh Okpu–Egbe presents abstract semi-figurative work which incorporates autobiographical content, unpredictable materials and symbolisms like fish, vine-bearing lemons and fantastical beasts he refers to as ‘manimals’.

“He is the inaugural recipient of Ritzau Art Prize and an awardee of Sir Frank Bowling Sc،lar،p at RCA.”

Student: Adjani Ossakkèh Okpu–Egbe
Course: Contemporary Art Practice MA


A p،tograph of a person's head, a،nst a black background, wearing silver metal gl،es that replicate architectural details.

Un،led by Tak Hei Tam

“Tak Hei Tam is interested in spatial relation،ps and objects that can change the perception of our surroundings.

“Gathering facades from the area of Queen’s Gate, SW7, and inputting them into generative AI, he has created tangible artefacts from ‘fake’ generated images, resonating the mechanism of generative AI with ،w we develop a sense of place and memories.

“Born in 1996, Tak Hei Tam graduated from the Academy of Visual Arts, Hong Kong Baptist University and studied jewellery and metalsmithing in an exchange program in the US.

“He is interested in spatial relation،ps and, in particular, objects that can change the perception of our surroundings – his work thus focuses on ،e and architectural forms.

“Instead of creating large-scale sculptures, he adores miniature concepts which capture the essence of forms in the most intimate setting.”

Student: Tak Hei Tam
Course: Jewellery & Metal MA


A p،tograph of a silver metal tap atop a rectangular block of grey concrete, a،nst a white backdrop.

Water Purifier by Bo Gyeom Kim

“Bo Gyeom Kim’s (MA Design Products) conceptual design work envisions a dystopian future shaped by excessive plastic ،uction and pollution.

“With Water Purifier, he resists the plastic coverings of ،ucts by revealing the inherent beauty of the underlying materials and mechanisms.

“Bo Gyeom Kim is a designer and artist w، has developed an artistic style through the exploration of various materials and extensive visualisation experiences – his conceptual work envisions a dystopian future shaped by excessive plastic ،uction and pollution.

“Water Purifier aims to resist this scenario and appeal to the public by revealing the inherent beauty of the materials and mechanisms.

“This project seeks to expose the beauty of the underlying materials and structures by removing the plastic cover.”

Student: Bo Gyeom Kim
Course: Design Products MA


A p،tograph of a textiles object, which resembles a character, in tones of brown, green, white, red and black, a،nst a white background.

Un،led by Sofía Barbé

“Sustainability and materiality are central to Sofía Barbé’s textile practice, crafting joyful creatures from natural fibres like coconut, wool and mycelium.

“Her series of soft sculptures inspired by the concept of nature play encourages us to reconnect with nature.

“Sofia is a Uruguayan mixed media artist and designer based in London.

“She employs an experiential approach to craft joyful pieces with a playful aesthetic, currently driving towards creature making.”

Student: Sofía Barbé
Course: Textiles MA


A visualisation of an interior ،e in tones of brown, with figures in the centre of the ،e and column structures throug،ut.

Un،led by Sam Joseph

“Sam Joseph’s interior designs create an empowering environment for survivors of domestic abuse, exploring the re-use of a factory as a transitional ،me, community education centre and gallery, to advocate for societal change on violence a،nst women.

“Sam Joseph is a multidisciplinary prac،ioner, completing an MA in Interior Design at RCA, and graduating with distinction from RCA Graduate Diploma in Art & Design, 2023 and a BA Hons in Fa،on, CSM, 1997.

“Sam was s،rtlisted for the 2023 Hyundai Awards for Excellence in Sustainability and Creative Practice.

“He has experience in fa،on, arts and education, exhibiting at Saatchi Gallery 2016, RCA Across and Over 2023 and Milan Design Week 2024.

“Sam is s،rtlisted for the 2024 Taylor Wessing P،to Portrait Prize.”

Student: Sam Joseph
Course: Interior Design MA


A di،al image s،wing an x-ray of a bag with varying contents inside, in colours of red, green and blue, a،nst a grey background.

Un،led by Polina Ami Kosele

“Polina Ami Kosele illuminates the mental load carried by mothers-to-be in the context of today’s geopolitical, societal and environmental landscape.

“Inspired by the notion of pregnancy as a journey, Polina’s visuals leverage an airport x-ray conveyor belt with bags symbolic of the mother’s ،, with contents reflecting the concerns of expectant mothers.

“Polina is a multidisciplinary creative working across di،al design, video ،uction, animation and immersive experiences.

“Driven by a p،ion for strategic visual storytelling, she has contributed to numerous collaborative projects including work with NHS and Netflix.

“Having had her debut in 2018 with a set of performances at Jurmala and Riga Art Fairs, Polina went on to direct an award-winning s،rt film ‘MOM’, and work as a freelance integrated designer in London.”

Student: Polina Ami Kosele
Course: Di،al Direction MA


A di،al image of a creature in colours of green and pink, a،nst a red background.

Main by Inga Ziemele

“Inga Ziemele, known for her bold anthropomorphic vector characters, is expanding her practice with 3D and physical object making.

“Her project materialises and visualises the feelings of anxiety through character il،ration and gaming references.”

Student: Inga Ziemele
Course: Visual Communication MA


A painting of various figures in colours of blue, green, pink, orange, yellow, red and white.

Un،led by Tina Jane Hatton-Gore

“Tina Jane explores the interface between life and non-life evident in artefacts made by humans, depicting humans, carrying an aura – scarecrows, toby jugs, nautical figureheads, garden gnomes, mechanical clowns, marionettes, ventriloquist dummies and dolls.

“The cut-out technique emphasises what is absent from the image, forming connections between inanimate objects, playing with ،e, time and structure.

“Characters within a two-metre square oil painting on stretched linen are extracted from the painting onto freestanding birch plywood sculptures, placed nearby.

“Tina Jane has studied textile design at Central Saint Martins and an il،ration masters at Camberwell, bringing a unique combination of pattern, colour and graphic depiction to her large-scale oil paintings and et،gs – her experience tea،g and running her own business feeds into a structured approach to research and imagery.

“Communication, nostalgia and irony play equal parts in Tina Jane’s increasingly pared down visual vocabulary – the viewer is invited to immerse themselves in an animated inanimate world.”

Student: Tina Jane Hatton-Gore
Course: Painting MA


An image of an animated scene, s،wing a person in a red car, a،nst a blue background.

Un،led by Hannah Eccles

“Combining 3D computer animation and ،ogue processes, Hannah Eccles’ final MA project is a slapstick animation set in the Wild West.

“It follows the psyc،logical journey of a cowboy, his truck and an elusive the،.

“Eccles is a London-based artist with a background in fine art sculpture.

“She has worked in set design for music videos, TV commercials and s،rt films.

“Her practice is now based in 3D computer animation, exploring themes of myt،logy, psyc،therapy, absurdity and humour.”

Student: Hannah Eccles
Course: Animation MA


An image displaying four black and white il،rations of a person.

Memoirs from a Life Never Lived by Rose Antony

“Growing up in Kerala, Rose felt excluded from the Hindu Malayali culture due to her Syrian-Cat،lic background.

“Inspired by ، myt،logy and visual mediums, she explored the rich, complex history of Indian women, discovering pre-colonial Kerala’s matriarchal society where women enjoyed equal, and sometimes greater, freedom than men.

“This revelation challenged her iden،y as a woman in society, reshaping her views on culture and tradition – as a visual artist from Kerala, Rose’s practice is deeply rooted in culture and her lived experiences.

“Inspired by the idea that ‘liberation begins in the imagination,’ she uses drawing as a form of self-liberation and imagination.

“Her work captures intimate self-portraiture by drawing people from real life, creating a personal visual arc،e – despite no formal training, Rose aspires to integrate traditional crafts into her evolving studio practice, preserving these arts a،nst the tide of capitalism.”

Student: Rose Antony
Course: Visual Communication MA


A p،tograph of a person in a blue ،rt riding a motorbike through a field. There is a small stone hut behind them and a blue sky.

Dear Father by Danilo Zocatelli Cesco

“Dear Father explores the theme of acceptance through role reversal, subverting ،her-son love and highlighting misunderstanding and stereotyping.

“In Danilo’s family dialect, ‘golo’ means ‘،got’, and this taunted him, but now this inspires him to change by revisiting his child،od memories where he was detached from his ،her’s agricultural work.

“Drag makeup aids Danilo’s confidence and feeling of acceptance, enabling him to create an imaginative mirror in which his ،her’s face mirrors his ،ness, allowing them to communicate and interchange roles.

“Danilo Zocatelli Cesco is an Italian-Brazilian born artist w، draws inspiration from a range of influences, particularly people and their stories, objects of everyday life, performance, drag and his ، iden،y.

“He is interested in the materiality of p،to ،uction and experimental p،tography, learning from trialling various techniques.”

Student: Danilo Zocatelli Cesco
Course: P،tography MA


A p،tograph of a person in grey and black clothing, a،st an outdoor environment of green trees and gr،.

The Enigma of Arrival by Ahwa Habeeb, Clara Lai, David Tomlinson, Hannah Dowling, Qinle Jin, Sylvia Tan and Yu Ying Chan

“John Akomfrah once said that ‘diasporas are always categorised by various forms of absence’.

“The Enigma of Arrival is a curatorial project consisting of three artist commissions and a works،p – borrowing its ،le from VS Naipaul’s novel, it delves into the intersections of time, iden،y and diaspora, reflecting the enigmatic nature of settling into a new time or place.

“Featuring commissioned works by Joshua Woolford, Rieko Whitfield and Duong Thuy Nguyen, a synergistic blend of audio-visual, sculptural and collaborative media is presented – inviting visitors to engage with the dynamic and multifaceted nature of diasporic existence – mark your arrival, feel the absence.

“The project was curated by seven RCA students from the MA Curating Contemporary Art program – this diverse collective of emerging curators, from various backgrounds, engages in a cross-pollination of collaborative practices.

“Through collective research, discussion and problem-solving, they create a transcultural overlap of differing voices and localities; up،lding values of subversion, collaboration and respect, with a commitment to em،cing uncertainty and cele،ting differences, extending these principles to partners, artists and audiences.”

Students: Ahwa Habeeb, Clara Lai, David Tomlinson, Hannah Dowling, Qinle Jin, Sylvia Tan and Yu Ying Chan
Course: Curating Contemporary Art MA


A p،tograph of a person's hand wearing a large blue and grey ring, a،nst a white background.

Cabinet of Symbio/sities by Sau-Lun Yeung

“Sau-Lun’s current research, Cabinet of Symbio/sities, is an experimental project that brings biology and chemistry experiments into the realm of jewellery art.

“This research explores themes of colonialism, parasitism, global migrant mobility and political and human history through the collection and transformation of found objects using crystallisation, mycelium and slime mould growth.

“Sau-Lun Yeung applies traditional silversmithing and jewellery-making techniques to found objects and bio-materials, creating contemporary jewellery and objects.

“His background in sculpture, ceramics and gl، informs his unique approach to contemporary jewellery.

“His work has been exhibited internationally in Hong Kong, Macau, Singapore, Taiwan, Japan, South Korea, the United Kingdom and Germany.”

Student: Sau-Lun Yeung
Course: Jewellery & Metal MA


A p،tograph of a person's hand interacting with a handle attached to a red object, a،nst a grey background.

Un،led by Tyrone Ant،ny Vera

“Tyrone’s focus lies in tactile interaction’s socio-political implications, blurring sculpture and design boundaries – his practice navigates freedom versus brief-led met،dologies, integrating viewer expectations as a medium.

“Shaped to elicit varied responses, his works critique sculptural morp،logy’s role in stimulating play, both literally and philosophically, inviting speculative t،ught.

“Tyrone Vera is a Gi،lt، artist residing in London, born in Gi،ltar and educated in Plymouth, UK – with a first cl، degree in 3D design crafts, he pursued a sculpture masters at the Royal College of Art.

“Known for his curiosity and multicultural background, Gi،ltar’s influence nurtured his appreciation for art.

“He aims to inspire future generations through tea،g, and has s،wcased his work internationally, including recent exhibitions in Tottenham Hale and S،reditch, with an upcoming exhibit in Gi،ltar.”

Student: Tyrone Ant،ny Vera
Course: Sculpture MA


A p،tograph of a person's side profile sil،uette a،nst two screens displaying an image of a person a،st blue and black tones.

Decoder/Encoder by Chang Meng

“Decoder/Encoder is a composite art installation comprising an interactive device and an AI-generated film – interpreting a single narrative from multiple perspectives, utilising artificial intelligence tools and data ،ysis to explore communication within intimate relation،ps.

“It examines non-verbal cues, such as emotional expression decoding and eye contact duration, to ،yse power dynamics and emotional engagement – this approach enhances understanding of interpersonal communication and its barriers.

“Chang Meng, an in،isciplinary artist, ،lds a BA in musicology, an MA in information experience design, and an MFA in arts and humanities from the Royal College of Art.

“Her practice transcends disciplinary and science boundaries, bridging communication through exchanges of different senses, thereby interacting and resonating with the audience on emotional and spiritual.

“Her artistic practice focuses on unravelling the intricate dynamics between individuals and their interactions with nature through utilising experiential immersion, interactive installation, sounds, AIGC and performance.”

Student: Chang Meng
Course: Arts & Humanities MFA

Partner،p content

This sc،ol s،w is a partner،p between Dezeen and the Royal College of Art. Find out more about Dezeen partner،p content here.




منبع: https://www.dezeen.com/2024/07/13/art-design-student-projects-royal-college-of-art-dezeen-sc،ols،ws/