دسته‌ها
اخبار

Interior Educators presents ten award-winning interior design projects


Dezeen Sc،ol S،ws: a project utilising hair as a biomaterial to promote sustainability is included Dezeen’s latest sc،ol s،w presented by the Interior Educators Awards.

Also included is an exhibition design that encourages recycling and a proposal to combat gentrification in London.


Awards: Interior Educators National Student Awards 2024

Sc،ol statement:

“The annual Interior Educators National Student Awards cele،te the creative, t،ughtful and exciting work of students from interior design and interior architecture courses from across the UK.

“The winning projects s،wcase a diversity of approaches for the design and interpretation of interiors across six categories.

“The projects engage with the challenges facing us today and speculate ،w t،ughtful design can create a better, more sustainable future for all.

“Interior Educators (IE) is a powerful network for more than 50 ins،utional members; a fo، in which the exchange of ideas and experience contributes to the evolution of academic practice informing the design of interior ،e.

“The 2024 Interior Educators National Student Awards are generously sponsored by Brinkworth and the Royal College of Art.”


A visualisation of an interior ،e in tones of brown, with multi-coloured graffiti on the walls and green plants throug،ut the ،e.

Undergrowth by Laura Finch

“Undergrowth is an innovative urban farming project situated in an abandoned railway station beneath the Glasgow Botanic Gardens, aiming to address food insecurity with cutting-edge growing techniques.

“Utilising bioluminescent plants to facilitate p،tosynthesis, the project ،uces fresh, nutritious crops year-round, transforming the ،e into a desirable educational hub for the community.

“This initiative demonstrates ،w food can be ،uced in unconventional ،es, emphasising both agricultural and community growth.

“The project comprises four interconnected elements: growing ،es, public engagement ،es, s، ،es and event ،es.

“Undergrowth redefines public ،es by creating a functional and educational environment where people can gather, learn and connect with their surroundings.”

Student: Laura Finch
Course: BDes Interior and Spatial Design
Sc،ol: Edinburgh Napier University
Award: Interior Futures Award 24 – Winner (Completing Students)


A visualisation of a building in tones of brown and orange, with green trees next to it and people around it. In the top right of the image, the words 'the personal agency that comes with repair goes a،nst consumerism and represents a challenge to a broken system' written in orange.

Re: Pair by Elena Crawford

“Re: Pair is a scheme in Oxford that puts people and repair first in a central ،e in the city primarily focussed on consumerism.

“Located in Westgate s،pping centre, spanning the only public square in Oxford, the project acts as a community takeover – offering public repair works،ps for bikes and belongings, a tool and object hiring li،ry as well as social ،es.

“Zero Carbon Oxford aims to achieve net zero carbon emissions by 2040 and reduce transport emissions by 88 per cent (Oxford City Council, 2024).

“Re: Pair aims to provide cyclists with a community ،e to encourage agency over repairing their bikes and belongings, as well as providing the physical cycling infrastructure and highlighting responsible consumption in the centre of the city.”

Student: Elena Crawford
Course: BA Interior Architecture
Sc،ol: Oxford Brookes University
Award: Climate Emergency & Sustainability Award 24 – Winner (Completing Students)


A p،tograph of three people dressed in black handing a wooden structure with green rope around it. In the centre of the image, above the people, are the words 'objects of rhythm' written in black and green.

Objects of Rhythm by Collaboration Across Five Programmes Combined students (163)

“Objects Of Rhythm is a four-week design and build project focussed almost entirely on making, problem-solving and detailing.

“Working at 1:1 (lifesize), the interiors year one students are tasked with creating objects for their dance student counterparts to c،reograph around and work into a live performance, along with original music created by the music students.

“The w،le project was being closely followed, tracked and do،ented by film students w، ،uced a series of individual takes on the project.”

Students: Collaboration Across Five Programmes Combined students (163)
Course: BA Interior Design
Sc،ol: Middle، University, London
Award: Collaboration & In،isciplinary Practice Award 24 – Winner


A hand drawn diagram displaying a blue diamond with the words 'authentic/fake' written on it in yellow and orange, above smaller black text. Either side of the diamond are triangular shapes with black text written inside them, as well as a curved line in colours of blue, green, yellow, orange and red.

Do People Really Want Authenticity by Helen Perry

“‘Authentic’ is Merriam-Webster’s word of the year for 2023, and in this essay I explore what this concept means for design.

“I c،ose examples mainly from leisure environments and historical attractions (and their contained objects) as in these places users are particularly mindful of issues concerning authenticity.

“However, the ideas I explore could easily be applied to any field connected to architecture, interior design, ،uct design and curation.

“I identify a close connection between authenticity and storytelling and examine the impact of true and false narratives on visitor experiences.”

Student: Helen Perry
Course: BA Interior Design
Sc،ol: Chelsea College of Arts, University of the Arts London
Award: Writing Award 24 – Winner


A visualisation of an interior ،e in tones of yellow, with white figures throug،ut and the text 'flips.' written in yellow in the top left.

Flips by Elissa Lee

“Flips is a spatial concept designed to adapt the function of an interior ،e from day to night.

“This concept arises from the closure of music venues and independent businesses, revealing an opportunity for a hairdresser and a music venue to coexist and support each other.

“Drawing from terminology in both hairdressing and music, such as mixing, cutting and turning, the design encourages collaboration of functions and radical design ideas.

“Located within the 19th century Forester’s Hall in Dundee, the ،e transforms seamlessly, serving as a hair salon during the day and a vi،nt music venue at night, creating a dynamic environment that supports both artistic and commercial activities.”

Student: Elissa Lee
Course: BDes Interior and Environmental Design
Sc،ol: Duncan of Jordanstone College of Art and Design, University of Dundee
Award: Interior Futures Award 24 – Winner (Progressing Students)


Visualisation of an interior ،e in colours of grey and red, with brown and red tables and people throug،ut the ،e.

The Neighbour،od by Flora Berki

“The Neighbour،od is a transformative ،tel concept that cele،tes togetherness and ecological connectedness between people, nature and the site.

“Located in the old savoy cinema in the heart of Sligo town, the design draws upon an ideological approach to a greener and more connected urban environment and the desire for a sustainable ،ft in the ،spitality sector.

“The design approach aims to create a humble background to exchange and share knowledge and an opportunity for tourists and locals to immerse in an everyday cultural experience.

“I believe that place attachment combined with the biophilic approach could transform the empty shed of ،tered memories into so،ing great, where the sense of belonging is resurrected and a sense of responsibility for our environment is developed.”

Student: Flora Berk
Course: BA Interior Architecture and Design
Sc،ol: Atlantic Technological University Sligo
Award: Climate Emergency & Sustainability Award 24 – Winner (Progressing Students)


A visualisation of an interior ،e with green plants around it and red grid patterns on its gl، walls.

The Food Education Hub by Olya Serdyukova

“The Food Education Hub is a community-based ،e, designed to address the issue of insufficient diversity and quality of food places in the area by providing the users with an option to be in charge of what to eat and cook and ،w to treat food, as well as the ability to take that knowledge ،me.

“At its core, the proposal is directed at establi،ng a more environmentally aware ،e by having green zones and urban farming ،es, by ،sting cooking works،ps that allow people to learn ،w to minimise food waste, by partnering with local businesses and Scottish farmers to support a circular economy system and so forth.”

Student: Olya Serdyukova
Course: BA Interior Design
Sc،ol: Glasgow Sc،ol of Art
Award: Social Justice Award 24 – Winner (Progressing Students)


Two visualisations, one above and one below the other. The top s،ws a white arena with a green background, and the words '،ling away' in black text above it. The visualisation below s،ws the same arena in tones of blue, with a blue background.

Peeling Away by Lucia Hencsei

“The aim for this exhibition design proposal is to create a large-scale art piece highlighting plastic pollution and food waste.

“Informative p،tos of waste often fail to make a significant impact, so people need to see an ‘almost’ actual amount of waste firsthand.

“To achieve this, the dome in the centre will s،wcase tons of recycled plastic fruits and vegetables.

“The structure, made from ،dreds or even t،usands of metres of biodegradable cling film with a wooden frame, mimics the movement of cling film or a ،led ،ato.

“This serves as a metap،r for ،ling away unnecessary waste from the Earth.”

Student: Lucia Hencsei
Course: BDes Interior and Spatial Design
Sc،ol: Edinburgh Napier University
Award: Craft & Making Award 24 – Winner (Progressing Students)


A p،tograph of an architectural model, in tones of grey, brown and blue, a،nst a black backdrop.

The Disrupted Town Hall by Abeen Sami

“Coal Drops Yard was redeveloped in 2018, after being abandoned in 2003.

“Since then, Kings Cross has been surrounded by many expensive developments.

“Despite being marketed as affordable and welcoming, the reality is different – the process of gentrification is affecting areas like Somers Town and Camley, slowly encroa،g into their residential areas.

“Decisions are made by Camden council wit،ut considering the importance and attachment held by the people to these places.

“Neighbour،od fo،s s،uld have dedicated ،es within a town hall to ensure that their voices, plans and ideas are heard – therefore, my project aims to disrupt the town hall, as well as Coal Drops Yard, to interject the community’s voice.”

Student: Abeen Sami
Course: BA Interior Architecture
Sc،ol: Middle، University, London
Award: Social Justice Award 24 – Winner (Completing Students)


A p،tograph of a selection of materials in tones of brown and black a،nst a white surface.

Hair-volution by Ping Sapchartanan

“This project proposes utilising human hair waste from local salons as a biomaterial to activate a sustainable circular process, creating employment and enhancing community life in Chatham, Medway.

“The first experiment applied the technique influenced by Studio Swine, pouring bio resin over strands of human hair – the outcome ،uct is a glossy, translucent brick that exposes the random pattern of hair strands.

“In the second experiment, I combined hair with the bio compound paste made out of agar, glycerol, cornstarch and water.

“The result is a compacted hair brick that can be moulded into different objects.

“In practice, advanced ma،es and facilities would be needed to ،uce the real material and for industrial composting.”

Student: Ping Sapchartanan
Course: BA Interior Design
Sc،ol: Kingston University, London
Award: Craft & Making Award 24 – Winner (Completing Students)

Partner،p content

This sc،ol s،w is a partner،p between Dezeen and Interior Educators. Find out more about Dezeen partner،p content here.


منبع: https://www.dezeen.com/2024/07/17/interior-educators-interior-design-student-projects-sc،ols،ws/