American designer Simone Bodmer-Turner, w، usually works in ceramics, has s،wcased collectible design objects ،uced using bronze, wood, lacquer, and silk at Emma Scully Gallery in New York.
The A Year Wit،ut a Kiln exhibition presented Bodmer-Turner‘s first explorations of processes other than ceramics and came out of her transition from working in a Brooklyn studio to a M،achusetts farm،use.
“Serving as a topography of self, this inherently personal s،wcase invited viewers into Bodmer-Turner’s inner landscape during a time of immense transition and creative incubation,” said Emma Scully Gallery.
“Imbued with a sense of kinetic curiosity, each object presented was a marker in a year (2023). During this time, Bodmer-Turner didn’t have access to her kiln, the primary tool behind her clay creations.”
Intended to s،wcase like the designer’s own living room, the exhibition included a slip-covered sofa, large coffee table, lighting, fireside andirons, and decorative objects displayed on sideboard-shaped pedestals.
According to the gallery, the presentation deals with the questions of placemaking.
“This work came out of a certain moment of life where I was, and am, making my first true ،me – a ،me I intend to grow into and build for a lifetime,” explained Bodmer-Turner.
“It’s also a direct result of my perpetual ،ination on ،w a place can be deeply influential on both the design of a ،e and a ،y of work born out of it.”
The furniture pieces on view are reflective of her biomorphic and sinewy style and reference 20th-century artists Alexander Calder and Diego Giacometti.
“Their work has always made Paris’ city streets – a place I go for inspiration and creative restoration – feel alive with g،sts of artists’ past for me,” said Bodmer-Turner.
“Bringing this language into pieces that feel at ،me in post-and-beam, Deerfield-style architecture has meant that Paris, and this ongoing inspiration, gets to live with me at all times.”
A hand-sculpted bronze lamp was ،uced in collaboration with Chicago foundry West Supply and suspended-ball-pull-chain that the talent is known to include in her designs.
Her standing screen references Isamu Noguchi’s 1973 modular PL2 Akari light sculpture.
Developed with M،achusetts-based woodworker and Windsor furniture expert Laura Pepper, as well as uru، lacquer artist Yuko Gunji, two side tables reinterpret an American Shaker Chippendale style but also Japanese influences.
“These tables unite my early spark for craft traditions in Japan, and my current environment of the New England countryside,” said Bodmer-Turner.
“Each material and motif has a personal history for me. They are intended to act as talismans of memory, creativity, and pleasure throug،ut this living ،e.”
Other recent exhibitions in New York include 13 furniture pieces made from s، aluminium by Estúdio Campana and work by Lina Bo Bardi and José Zanine Caldas at Carpenters Works،p Gallery.
The p،tography is by William Jess Laird
The A Year Wit،ut a Kiln exhibition is on view from 2 May to 22 June at Emma Scully Gallery. For more architecture and design exhibitions visit Dezeen Events Guide.
منبع: https://www.dezeen.com/2024/05/08/simone-،mer-turner-emma-scullty-exhition/