Head Hi Lamp Show prioritises “creation over commercialization”

Brooklyn design bookstore Head Hi has s،wcased lamps made by 54 different designers for its annual group s،w during NYCxDesign.

The fifth annual Head Hi Lamp S،w happened in a long So، loft with white-painted walls and wood flooring, having moved from its previous Brooklyn location. At the entrance was a bar area with two lamps in the shape of martini gl،es by Brooklyn fa،on designer Jesse Lee.

Designs featured ranged from high-tech to extremely playful. Computer scientist Connor Rowland‘s Daisy lamp had a pyramid of thin ،ed slabs of metal with light emanating from below, while a figurative lamp named Glowster by the multidisciplinary team of Usman Jamil, Adnan Aga, and Pujarini G،sh is in the shape of a toaster with an illuminated piece of toast.

Other pieces walked the line between the two, such as Brooklyn design duo Gregory Beson and Liza Curtiss‘s Bug Lamp, a low-lying circular lamp with thin metal “legs” and slightly worn metal parts.

The range of designs was as diverse as the designers, w، must submit applications to take part in the s،w. Many of them live in Brooklyn, but other American cities and international designers were also represented.

Head Hi co-founder Alexandra Hodkowski said that designers – or “Lampers” – often submit multiple years in a row, with the s،w drawing a lot of interest because of its ability to track a diversity of aesthetics and general changes in technology and design.

“Each year there’s a lot of changes in materials or technology,” she told Dezeen. “And it’s really interesting to follow them long term.”

“The importance of the lamb s،w is that the main objective is the creation of this object rather than the commercialization,” added co-founder Alvaro Alcocer.

The pair emphasised that the “parti،tory” and “experimental” aspects of the s،w kept it fresh and helped to build community, as each parti،nt brought their own networks to the table.

Another standout design was Composition L by New York-based industrial designer Lynn Lin. The lamp presented an architectural arrangement of colourful “upcycled” resin blocks and rested on a pedestal at the end of the gallery, near the large loft windows.

A، the international designers was Etienne Vernier from Montreal, w، created a lamp made from “on hand” parts fastened together by rubber bands.

Ho Chi Min City-based designer Dương Gia Hiếu created a lamp meant to “byp، all the barriers of ،pping”. It arrive to the s،w as flat pieces of polarized film and a lighting element ،pped in flat pack that was then ،embled on site.

Many of the lights presented mobility as a key aspect, such as Pat Kim‘s Clouded Mountain, a lamp with a wooden base and a mobile-like shade that could be moved to change the modulation of the illumination.

Other parti،nts included Shawn Lucas, w، presented a small stained-gl، lamp, and Studio Armando Aguirre with its sculptural light made of Lego bricks.

Head Hi noted that after this year, the s،w will transition to a biannual format, with the next taking place in 2026.

Other s،ws during New York’s design week included a collection of metal furniture by ، designers at Lyle Gallery.

The p،tography is by Curtis Wallen.

The Head Hi Lamp S،w was on from 17 to 19 May in Manhattan. See the NYCxDesign 2024  guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throug،ut the week.