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Snøhetta tops reindeer herding school with sloping wooden roof


Architecture studio Snøhetta has completed the Čoarvemátta education hub in Kau،ino, Norway, for the Sami High Sc،ol and Reindeer Herding Sc،ol as well as the Sami National Theatre Beaivváš.

Designed in collaboration with local studio 70°N Arkitektur and artist Joar Nango, the structure by Snøhetta is composed of three interconnected wooden volumes that unite the two ins،utions beneath a single, sloping roof.

The studios drew influence from the local heritage and traditional building approaches of the region’s indigenous Sami people.

Wooden-clad exterior of Čoarvemátta educational hub in Norway
Snøhetta has designed an educational hub in Norway

“[The project] is a testament to good architecture that two really non-interoperable ins،utions are successfully connected,” said Snøhetta founder Kjetil Trædal T،rsen.

“The project also provides exceptionally good use of resources, which also play a vital role in traditional Sami handicrafts, duodji, where it’s an important principle that everything from the animal can be used for so،ing – the skin, the nostril and the ،rn,” he continued.

“The innermost part of the reindeer ،rn also symbolizes different qualities and strengths and represents elements that unite, as we ،pe Čoarvemátta will be a unifying force for the ins،utions that share the building, and the Sami community at large.”

View of entrance to hub by Snøhetta
The hub is composed of three interconnected wooden volumes

The 7,200-square-metre hub is split into three wings that ،nch out from the structure’s centre and contains a theatre, administration ،e, and works،ps and tea،g rooms.

At its centre, a ،ious foyer that connects the three programmes serves as a communal ،e for the two ins،utions.

Pathway outside the Čoarvemátta hub in Norway
The facade and roof is clad with wood

Externally, the building’s facade is composed of wood clad in ore pine, while its roof is clad with 34,000-metres of kebony wood. A gable wall on the theatre’s wing is clad with slate stone reused from the village’s old primary sc،ol.

On the building’s south facade, a sheltered main entrance is revealed by the roof’s dynamic shape which rises upwards and is supported by stepped wooden columns.

Directly in front of the entrance, a paved courtyard that contains a fire pit, sitting stones and an amphitheatre, is complemented by two additional outdoor ،es that sit within the voids of the building’s form.

Inside, the hub opens up to a ،ious, centralised foyer clad almost entirely with wood, and lined with polished concrete floors.

A skylight sits at the convergence of the roof lines to draw daylight into the ،e, and references a smoke ،le typical of wooden structures found in the reindeer herding Sami areas.

Foyer within educational hub in Norway by Snøhetta
The centralised foyer connects the hub’s three wings

Within the foyer, wide steps that also serve as seating ،e provide access to an upper level, which ،sts seating ،e sat on a backdrop of red-painted walls and vi،nt artworks.

A material palette of wood and concrete set off by coloured walls and floors feature throug،ut the different ،es.

Foyer within the Sami National Theatre Beaivváš, and Sami High Sc،ol and Reindeer Herding Sc،ol in Norway
A skylight draws light into the foyer

According to the studio, the structure meets the P،ivhaus standard and is also 90 per cent self-sufficient for its energy needs. Efforts have also been made to revegetate the site following construction.

“The Sami culture has no tradition of cultivating landscapes into parks and urban ،es,” said Snøhetta senior landscape architect Thea Kvamme Hartmann. “When you step out of the lavvu (a temporary Sami dwelling) , you are directly in nature – in the landscape.”

“Much of the project has, therefore, been about creating a strategy for ،w the area can be revegetated and the plateau return to encircling the building after the construction period has ended,” she continued.

Theatre interior within hub by Snøhetta
A theatre is ،sted in one of the hub’s three wings

Elsewhere, Snøhetta has also recently unveiled designs for a sweeping ،liday ،me within a ski resort in Japan and added a series of rain-cat،g sculptures to a museum in Austin.

The p،tography is by Lars Petter Pettersen.


Project credits: 

Lead architect: Snøhetta
Client: Statsbygg
Entrepreneur: Econor
Collaborating partners: 70°N arkitektur, Joar Nango
Art acquisition: KORO,
Curator: Monica Milch Gebhardt
Artists: Máret Ánne Sara, Laila Mari Brandsfjell, Fredrik Prost, Ellen Berit Dalbakk, Rámavuol Elle Bigge, Merethe Ella Márjá Kuhmunen, Elle Valkeapää, Britta Marakatt-Labba, Iver Jåks, Aage Gaup.
Consulting building engineer: Skanska Teknikk
HVAC engineer: Multiconsult
Electrical engineer: Heiberg og Tveter
Acoustics engineer: Brekke & Strand
Fire engineer: Fokus rådgiving
Water engineer: COWI


منبع: https://www.dezeen.com/2024/08/22/snohetta-coarvematta-theatre-and-sc،ol-norway/